Tuesday, March 31, 2026

The Duomo welcomes us to Milan

We landed in Milan two days late and 46 miles from our original destination (a story for a later post). Somehow, we sped to the hotel just in time to drop our bags, smear on some sunscreen and run to catch my students as they embarked on the first major activity of the trip, a climb to the roof of the Duomo. 

Milan's Duomo

If you are looking for pictures of Milan, chances are good that the Duomo will dominate the results. The Metropolitan Cathedral-Basilica of the Nativity of Saint Mary is the largest church in Italy and one of the largest in the world. It took about 600 years to complete and features 135 spires, more than 3,400 statues, 135 gargoyles and 700 figures.

What a welcome to Milan. The cathedral is nothing short of breathtaking. The view from the plaza is impressive, but the climb to the roof brings you face-to-face with the intricate architecture. 

A short elevator ride brought us halfway, then the series of staircases began. I quickly found an opening the students overlooked in a narrow passageway. No gates, ropes or signs indicated it was closed to the public and with that we found ourselves standing on the literal roof. Needless to say we were all immediately thrilled with the detour. 

Bonnie leans out an opening in the wall of the Duomo, many stories up.

We took our time climbing the stairs and exploring every nook and cranny we could fit ourselves into. From the roof, we had panoramic views of Milan. The day was so clear, we could see the Alps from our perch on top of the city. 

John and I have an inside joke that we have to visit the tallest structure in any city we visit, so that trip requirement was checked off quickly this time. The Duomo did not disappoint, and it was clear why this is a must-see stop for any trip to Milan. 

Selfie of John and Bonnie on the rooftop of the Milan Duomo.

To guide learning, I gave the student a few framing questions each morning. On this day, I asked: 

  • After walking the fashion district and standing on the Duomo terraces, how has your sense of where luxury influence comes from in Milan shifted? Do you see it more in specific brands, in the city’s overall atmosphere, or in the way visitors and locals express style in these spaces?
  • If you were guiding an influencer through this same day, what three content moments would you insist they capture to tell a richer story about Milanese luxury?
  • How does moving between commercial/luxury space (Quadrilatero della Moda) and sacred/historic space (the Duomo) affect your thinking about the line between cultural experience and branded experience in influencer communication?


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